Subsections of Music Notation Musescore

Introduction

Subsections of Introduction

Course Objectives

I. Computer Audio Basics

II. Fundamental concepts and techniques for Music Engraving with Musescore

Info

Each of the following topics could span an entire lesson so the the main focus will be on to getting you started with:

  • a simple musical score
  • a music worksheet with text and notation

MuseScore 4 Release December 2022

MuseScore 4 is a major update with a new interface and support for VST plugins. The sheet creation and note editing workflow haven’t changed so the how-to guides of the following chapters still apply.

Differences between version 3.6 and 4

Website Overview

This website contains original material and links to websites and other resources. All the topics covered are referenced here and the website replaces the usual powerpoint presentation with a format more adapted to a workshop involving audio, computers and video games. The following pages can be printed out (but why would you?). The site is adaptive and can be viewed on mobile devices, navigation by keyboard shortcuts is active (try ) and search is enabled.

Many great tutorials are available and due to the fast pace of the technological evolution it’s best to look for info on the latest updates. The first workshop is dedicated to give an overview of “Création musicale assistée par ordinateur” a barbaric name used to describe the whole digital music production chain.

Because all of the participant’s at the Dudelange workshop had prior music notation software experience I’ll focus on the most asked questions and refer as often as possible to the official documentation or a tutorial that I’ve found to be relevant.

Tip

The address of this site: musescore.peckels.com will remain active and the content updated for the next sessions.

    👾 - - - - - - - - 💥    ♪      ♬
            				    ♫   ♪    

Computer Audio Basics

Midi, Wav, Mp3, MusicXML

Subsections of Computer Audio Basics

How to?

VLC media player

VLC plays (almost) all video and audio files.

VLC is a free and open source cross-platform multimedia player and framework that plays most multimedia files as well as DVDs, Audio CDs, VCDs, and various streaming protocols.

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Audacity

Audacity is a Free, open source, cross-platform audio software. the accent here is on editing.

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Note

Open-source software (OSS) is a type of computer software in which source code is released under a license in which the copyright holder grants users the rights to use, study, change, and distribute the software to anyone and for any purpose. Open-source software may be developed in a collaborative public manner. Open-source software is a prominent example of open collaboration. wiki

Music File Formats

The first 4 files can all be opened with VLC and contain the same piece exported under different formats from the sheet editor Musescore.

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File 1-3: Wav, mp3, Flac files

Thiose can be opened with VLC and Audacity. For a deep dive MP3, AAC, WAV, FLAC: all the audio file formats explained

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File 4: MIDI

File 4 can be opened and played with VLC.

MIDI (Musical Instrument Digital Interface) is a standard protocol for the interchange of musical information between musical instruments, synthesizers and computers. It defines codes for musical notes as well as button, dial and pedal adjustments, and MIDI control messages can orchestrate a series of synthesizers, each playing a part of the musical score. MIDI Version 1.0 was introduced in 1983.

MIDI 2.0 specifications have been released.

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File 5: Music xml

Format

MusicXML was designed from the ground up for sharing sheet music files between applications, and for archiving sheet music files for use in the future. You can count on MusicXML files being readable and usable by a wide range of music notation applications, now and in the future. MusicXML complements the native file formats used by Finale and other programs, which are designed for rapid, interactive use.

Just as MP3 files have become synonymous with sharing recorded music, MusicXML files have become the standard for sharing interactive sheet music. With MusicXML you can create music in one program and share your results – back and forth – with people using other programs. Today more than 250 applications include MusicXML support.

How to import and export music xml

All the major sheet editors can read and import music xml (Sibelius, Finale, Dorico, Musescore).

VLC and Audacity can’t handle these but there is a a free service: https://www.soundslice.com/musicxml-viewer/

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And the result is “resizable”. Give it a try by changing the size of your browser window.

Nr 6, a surprise!

Only(?) Audacity can manage mogg files.

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Tip

Pleas take a look at how to open a file with a specific software on PC and Mac by right-clicking and using Open With. And for the (proud) Mac owners do yourself a favor and activate show file extension.

Music XML

Autopsy

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Markup language

<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.1 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
<score-partwise version="3.1">
  <identification>
    <encoding>
      <software>MuseScore 3.5.2</software>
      <encoding-date>2020-12-02</encoding-date>
      <supports element="accidental" type="yes"/>
      <supports element="beam" type="yes"/>
      <supports element="print" attribute="new-page" type="yes" value="yes"/>
      <supports element="print" attribute="new-system" type="yes" value="yes"/>
      <supports element="stem" type="yes"/>
      </encoding>
    <source>http://musescore.com/user/30432972/scores/5434890</source>
    </identification>
  <defaults>
    <scaling>
      <millimeters>7.05556</millimeters>
      <tenths>40</tenths>
      </scaling>
    <page-layout>
      <page-height>1683.36</page-height>
      <page-width>1190.88</page-width>
      <page-margins type="even">
        <left-margin>56.6929</left-margin>
        <right-margin>56.6929</right-margin>
        <top-margin>56.6929</top-margin>
        <bottom-margin>113.386</bottom-margin>
        </page-margins>
      <page-margins type="odd">
        <left-margin>56.6929</left-margin>
        <right-margin>56.6929</right-margin>
        <top-margin>56.6929</top-margin>
        <bottom-margin>113.386</bottom-margin>
        </page-margins>
      </page-layout>
    <word-font font-family="FreeSerif" font-size="10"/>
    <lyric-font font-family="FreeSerif" font-size="11"/>
    </defaults>
  <credit page="1">
    <credit-type>composer</credit-type>
    <credit-words default-x="1134.19" default-y="1474.54" justify="right" valign="bottom" font-size="12">Bela Bartok (1915)</credit-words>
    </credit>
  <credit page="1">
    <credit-type>subtitle</credit-type>
    <credit-words default-x="595.44" default-y="1569.97" justify="center" valign="top" font-size="14">III. Pe Loc</credit-words>
    </credit>
  <credit page="1">
    <credit-type>title</credit-type>
    <credit-words default-x="595.44" default-y="1626.67" justify="center" valign="top" font-size="24">Romanian Folk Dances</credit-words>
    </credit>
  <part-list>
    <score-part id="P1">
      <part-name>Piano</part-name>
      <part-abbreviation>Pno.</part-abbreviation>
      <score-instrument id="P1-I1">
        <instrument-name>Piano</instrument-name>
        </score-instrument>
      <midi-device id="P1-I1" port="1"></midi-device>
      <midi-instrument id="P1-I1">
        <midi-channel>1</midi-channel>
        <midi-program>1</midi-program>
        <volume>100</volume>
        <pan>0</pan>
        </midi-instrument>
      </score-part>
    </part-list>
  <part id="P1">
    <measure number="1" width="198.45">
      <print>
        <system-layout>
          <system-margins>
            <left-margin>21.00</left-margin>
            <right-margin>0.00</right-margin>
            </system-margins>
          <top-system-distance>269.19</top-system-distance>
          </system-layout>
        <staff-layout number="2">
          <staff-distance>108.90</staff-distance>
          </staff-layout>
        </print>
      <attributes>
        <divisions>4</divisions>
        <key>
          <fifths>2</fifths>
          </key>
        <time>
          <beats>2</beats>
          <beat-type>4</beat-type>
          </time>
        <staves>2</staves>
        <clef number="1">
          <sign>G</sign>
          <line>2</line>
          </clef>
        <clef number="2">
          <sign>F</sign>
          <line>4</line>
          </clef>
        </attributes>
      <direction placement="above">
        <direction-type>
          <words default-x="-39.76" default-y="29.36" relative-y="20.00" font-weight="bold" font-size="13">(</words>
          </direction-type>
        <direction-type>
          <metronome parentheses="no" default-x="-39.76" default-y="29.36" relative-y="20.00">
            <beat-unit>quarter</beat-unit>
            <per-minute>90</per-minute>
            </metronome>
          </direction-type>
        <direction-type>
          <words default-x="-39.76" default-y="29.36" relative-y="20.00" font-weight="bold" font-size="13">.)</words>
          </direction-type>
        <staff>1</staff>
        <sound tempo="90"/>
        </direction>
      <direction placement="above">
        <direction-type>
          <words relative-y="40.00" font-size="14">Andante.</words>
          </direction-type>
        <staff>1</staff>
        </direction>
      <direction placement="below">
        <direction-type>
          <pedal type="start" line="yes" default-y="-80.00"/>
          </direction-type>
        <staff>1</staff>
        </direction>
      <note>
        <rest measure="yes"/>
        <duration>8</duration>
        <voice>1</voice>
        <staff>1</staff>
        </note>
      <backup>
        <duration>8</duration>
        </backup>
      <direction placement="below">
        <direction-type>
          <dynamics default-x="3.29" default-y="-40.00" relative-y="-40.00">
            <pp/>
            </dynamics>
          </direction-type>
        <staff>2</staff>
        <sound dynamics="36.67"/>
        </direction>
      <note default-x="115.68" default-y="-143.90">
        <pitch>
          <step>B</step>
          <octave>3</octave>
          </pitch>
        <duration>4</duration>
        <voice>5</voice>
        <type>quarter</type>
        <stem>down</stem>
        <staff>2</staff>
        </note>
      <note default-x="115.68" default-y="-123.90">
        <chord/>
        <pitch>
          <step>F</step>
          <alter>1</alter>
          <octave>4</octave>
          </pitch>
        <duration>4</duration>
        <voice>5</voice>
        <type>quarter</type>
        <stem>down</stem>
        <staff>2</staff>
        </note>
      <note default-x="156.26" default-y="-108.90">
        <pitch>
          <step>B</step>
          <octave>4</octave>
          </pitch>
        <duration>4</duration>
        <voice>5</voice>
        <type>quarter</type>
        <stem>up</stem>
        <staff>2</staff>
        </note>
      </measure>
    <measure number="2" width="98.57">
      <note>
        <rest measure="yes"/>
        <duration>8</duration>
        <voice>1</voice>
        <staff>1</staff>
        </note>
      <backup>
        <duration>8</duration>
        </backup>
      <note default-x="15.80" default-y="-143.90">
        <pitch>
          <step>B</step>
          <octave>3</octave>
          </pitch>
        <duration>4</duration>
        <voice>5</voice>
        <type>quarter</type>
        <stem>down</stem>
        <staff>2</staff>
        <notations>
          <slur type="start" placement="above" number="1"/>
          </notations>
        </note>
      <note default-x="15.80" default-y="-123.90">
        <chord/>
        <pitch>
          <step>F</step>
          <alter>1</alter>
          <octave>4</octave>
          </pitch>
        <duration>4</duration>
        <voice>5</voice>
        <type>quarter</type>
        <stem>down</stem>
        <staff>2</staff>
        </note>
      <note default-x="56.38" default-y="-108.90">
        <pitch>
          <step>B</step>
          <octave>4</octave>
          </pitch>
        <duration>4</duration>
        <voice>5</voice>
        <type>quarter</type>
        <stem>up</stem>
        <staff>2</staff>
        <notations>
          <slur type="stop" number="1"/>
          </notations>
        </note>
      </measure>
    <measure number="3" width="98.57">
      <note>
        <rest measure="yes"/>
        <duration>8</duration>
        <voice>1</voice>
        <staff>1</staff>
        </note>
      <backup>
        <duration>8</duration>
        </backup>
      <note default-x="15.80" default-y="-143.90">
        <pitch>
          <step>B</step>
          <octave>3</octave>
          </pitch>
        <duration>4</duration>
        <voice>5</voice>
        <type>quarter</type>
        <stem>down</stem>
        <staff>2</staff>
        <notations>
          <slur type="start" placement="above" number="1"/>
          </notations>
        </note>
      <note default-x="15.80" default-y="-123.90">
        <chord/>
        <pitch>
          <step>F</step>
          <alter>1</alter>
          <octave>4</octave>
          </pitch>
        <duration>4</duration>
        <voice>5</voice>
        <type>quarter</type>
        <stem>down</stem>
        <staff>2</staff>
        </note>
      <note default-x="56.38" default-y="-108.90">
        <pitch>
          <step>B</step>
          <octave>4</octave>
          </pitch>
        <duration>4</duration>
        <voice>5</voice>
        <type>quarter</type>
        <stem>up</stem>
        <staff>2</staff>
        <notations>
          <slur type="stop" number="1"/>
          </notations>
        </note>
      </measure>
    <measure number="4" width="163.01">
      <direction placement="above">
        <direction-type>
          <dynamics default-x="5.06" relative-y="30.00">
            <p/>
            </dynamics>
          </direction-type>
        <staff>1</staff>
        <sound dynamics="54.44"/>
        </direction>
      <note>
        <rest/>
        <duration>2</duration>
        <voice>1</voice>
        <type>eighth</type>
        <staff>1</staff>
        </note>
      <note default-x="52.20" default-y="25.00">
        <pitch>
          <step>D</step>
          <octave>6</octave>
          </pitch>
        <duration>2</duration>
        <voice>1</voice>
        <type>eighth</type>
        <stem>down</stem>
        <staff>1</staff>
        <beam number="1">begin</beam>
        <notations>
          <articulations>
            <staccato/>
            </articulations>
          </notations>
        </note>
      <note default-x="88.61" default-y="30.00">
        <pitch>
          <step>E</step>
          <alter>1</alter>
          <octave>6</octave>
          </pitch>
        <duration>2</duration>
        <voice>1</voice>
        <type>eighth</type>
        <accidental>sharp</accidental>
        <stem>down</stem>
        <staff>1</staff>
        <beam number="1">continue</beam>
        <notations>
          <articulations>
            <staccato/>
            </articulations>
          </notations>
        </note>
      <note default-x="125.01" default-y="35.00">
        <pitch>
          <step>F</step>
          <alter>1</alter>
          <octave>6</octave>
          </pitch>
        <duration>2</duration>
        <voice>1</voice>
        <type>eighth</type>
        <stem>down</stem>
        <staff>1</staff>
        <beam number="1">end</beam>
        <notations>
          <articulations>
            <staccato/>
            </articulations>
          </notations>
        </note>
      <backup>
        <duration>8</duration>
        </backup>
      <note default-x="15.80" default-y="-143.90">
        <pitch>
          <step>B</step>
          <octave>3</octave>
          </pitch>
        <duration>4</duration>
        <voice>5</voice>
        <type>quarter</type>
        <stem>down</stem>
        <staff>2</staff>
        <notations>
          <slur type="start" placement="above" number="1"/>
          </notations>
        </note>
      <note default-x="15.80" default-y="-123.90">
        <chord/>
        <pitch>
          <step>F</step>
          <alter>1</alter>
          <octave>4</octave>
          </pitch>
        <duration>4</duration>
        <voice>5</voice>
        <type>quarter</type>
        <stem>down</stem>
        <staff>2</staff>
        </note>
      







      
    </part>
  </score-partwise>

Format Exports

On

Audio Interfaces

Audio Cards Overview

Although an external audio-card (interface) is more relevant for recording with a microphone then for music engraving, the benefits of these devices are substantial. This is true especially on Windows computers that often have a subpar generic built-in audio-card. The performance and headphone sound quality are significantly improved. Furthermore when connecting to external speakers an external audio interface becomes indispensable.

An external audio card or audio/sound interface is a hardware device that provides audio input and output connections. Every computer, tablet or phone has a built-in sound-card that can be bypassed when an external device is connected. Advantages are: more connections, better audio quality, monitoring options and most importantly better audio latency.

Types

Generic USB

Focusrite Scarlett USB audio interfaces:

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With built-in Recorder

Zoom recorders or more high end solutions like Sound Devices. They can double as external audio-card:

Mixing Desk

Soundcraft MTK series:

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… and even all sorts of music gear

Elektron Digitone Keys:

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Musescore Overview

Subsections of Musescore Overview

Open Source Software

Tip

Because of the open source (cf. inf.) nature of MuseScore the user manual (Handbook for MuseScore 3) is maintained by a large number of volunteer users. It’s up to date, free and available in many languages. It can also be printed out. It a good idea to have a browser window open while taking your first steps in MuseScore.

MuseScore Software

MuseScore for Mac, PC and Linux:

  • is completely free with no limitations
  • is open source
  • allows input with a MIDI keyboard
  • features transfer to and from other programs via MusicXML and MIDI

Download page: musescore.org

Open-Source Community

Developers, supporters and translators created MuseScore along the open source philosophy and everyone can get involved: musescore.org/en/contribute

Musescore is used worldwide by schools, universities, orchestras and bands (cf. this map).

Open-Source Software

“Open-source software is a type of computer software in which source code is released under a license in which the copyright holder grants users the rights to use, study, change, and distribute the software to anyone and for any purpose. Open-source software may be developed in a collaborative public manner. Open-source software is a prominent example of open collaboration.” wiki

Musescore.com

Musescore.com is the commercial website built around musescore (museScore.org)

The musescore.com website is a sheet music-sharing social platform. Anybody can create a free account and upload their sheet music, to share with the world or to be kept as a private backup. A PRO account is available to unlock more features of the site, but musescore.com will always offer a free account. help.musescore.com

Pro subscribers can upload their own scores or browse for other user generated content and professionally transcribed scores licensed from the leading publishers are also available.

MuseScore apps

MuseScore apps for iOS and Android connect to your musescore.com account and allow you to search for music, play, transpose, and view individual parts of a score.for iOS and Android connect to your musescore.com account and allow you to search for music, play, transpose, and view individual parts of a score. help.musescore.com

Info

Uploading your score to MuseScore.com is the fastest way to share scores with your students. A browser (chrome is the best choice) is all that is required for visualizing and playback.

Your first Score

Subsections of Your first Score

How to create a Score

Use the wizard

The Score Wizard helps to get you started. In the Menu chose File --> New.

Tip

Please take a look at MuseScore’s recent videos, many interesting tips hide under the the marketing sheen.

Tip

Dare to throw your first scores away! Just have fun with creating a first draft with a single or multiple instruments and restarting the wizard multiple times. This goes for the rest of this workshop.

Example

Electric Bass with Tablature

Here is a personal example of an exercise for my electric bass students.

Attachments

Published version on musescore.com

With the paid subscription on musescore.com1 you can share your scores on your own website in a browser. Click on download to be redirected to my page on musescore.com.

Pentatonics Exercise On Sunny by monkdream

  1. Please read this page for everything related to uploading scores, copyright issues and also the free and paid musescore.com version. ↩︎

Note Input

&

Subsections of Note Input

Use the Keyboard

Basics of Score Writing

Please do use the keyboard and not the mouse

Info

Please use the keyboard to input notes.

Tip

Please use the keyboard for inputing notes.

Warning

Please use the keyboard while inputing notes.

This is the most useful tip of this entire workshop. Use your mouse for certain menu functions but (please) stick to the computer keyboard for note inputing and use keyboard shortcuts. The same holds true for Dorico, Sibelius and Finale. The way of inputing notes is the single one thing the most integrated into a user’s habits and it will often determine if a newcomer will switch to another software or stay with what he knows. Using MuseScore is probably closer related to Sibelius then to Finale or Dorico.

Note name input

KeyNote
Cdo
Dre
Emi
Ffa
Gsol
Ala
Bsi

Note value input

Keyvaluefrdeuk
11/64quadruple crocheVierundsechzigstelhemidemisemiquaver
21/32triple crocheZweiunddreißigsteldemisemiquaver
31/16double crocheSechzehntelsemiquaver
41/8crocheAchtelquaver
51/4noireViertelcrotchet
62/4blancheHalbeminim
71rondeGanzesemibreve
82 x 1carréeBrevisbreve

To directly access the note lengths instead of using this menu:

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Step by step guide

See the note input chapter in the handbook for a detailed overview or watch this short but old clip that is still relevant:

Note Input Modes

Different Note Input Modes are available in MuseScore. they can be accessed with the following button on the top left in the main menu:

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Step-time

This is the default method of note input and involves entering notes one at a time: first by selecting a note duration using the mouse or computer keyboard, then choosing a pitch using the mouse, computer keyboard, MIDI keyboard or virtual piano keyboard.

Re-pitch

Re-pitch mode allows you to correct the pitches of a sequence of notes while leaving their durations unchanged (not to be confused with Accidental: Respell pitches).

Rhythm

Rhythm mode allows you to enter durations with a single keypress. Combining Rhythm and Re-pitch modes makes for a very efficient method of note entry.

Real-time (automatic)

The Real-time modes basically allow you to perform the piece on a MIDI keyboard (or MuseScore’s virtual piano keyboard) and have the notation added for you

Real-time (manual)

In the manual version of Real-time input, you have to indicate your input tempo by tapping on a key or pedal, but you can play at any speed you like and it doesn’t have to be constant.

Real-time Advance shortcut

The Real-time Advance shortcut is used to tap beats in manual Real-time mode, or to start the metronome clicks in automatic Real-time mode

Normal Mode

Normal mode

Normal mode vs note input mode:

Escape is your friend

“To leave Note Input mode, click on the Note Input tool button, press N, or press Esc. This puts you in Normal mode, in which you can change durations and delete notes or rests as follows:

  • If you select a note and press Del the note will be replaced by a rest of the same duration.
  • If you select a note or rest and press Ctrl + Del the note/rest will be deleted, and subsequent notes moved backward (see Remove selected range).
  • If you reduce the duration of a note or rest the remaining duration will be filled with rests.
  • If you increase the duration of a note or rest it will subtract duration from the subsequent notes/rests to make up the duration. If this is done on the last note/rest in the measure, a note or rest with the required duration will be inserted in the start of the following measure, and the two will be tied together.”

Score Export Options

Subsections of Export Your Score

Export Options

MuseScore Handbook is very helpful on the different export options Use the menu item File/Export… to access the following window:

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Info
  • to export your music in order to work in another engraving software use music xml.
  • for best quality results in a word processor use png (or try svg which is a vector format that is scalable and offers the best quality).
  • midi is a good choice for a DAW (Logic, Ableton)
  • mp3 and wav for audio export

Useful Topics

Subsections of Topics (divers)

Drum Notation

MuseScore 4

Version 4 simplifies percussion and guitar input:

MuseScore 3.6

(N.B. MuseScore is not the most flexible software when it comes to drum input. I prefer Dorico e.g. Drums in One Minute | Discover Dorico)

Layout Options

The easiest way to fit your score to a page is to use the Format/Page Settings… menu. A similar option can be found in Sibelius.

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For the other page options cf. musescore.org/en/handbook/3/page-settings

How to use other sounds

For MuseScore 4 ust the hub

MuseScore uses SoundFonts and SFZ files to generate the different instrument sounds. On this page a step by step install procedure is provided (download and double-click is all that is required in most of the cases) and different free libraries are linked.

For orchestral sounds:

Piano:

to activate sounds

Use View/Synthesiser and follow these steps:

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The activated sound library is the one on the top of the list (this is not very intuitive and elegant).

To Change instrument playback in the Mixer

In the menu pick View/Mixer:

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Resources

Subsections of Resources

Musescore and Music Notation

MuseScore Manual

English Handbook for MuseScore 3 also available in fr and de.

MuseScore Youtube Channel

Official MuseScore youtube channel

Online Course

One of the main MuseScore contributors, Marc Marc Sabatella created this online course school.masteringmusescore.com (some content is free).

Musescore Forum

musescore.org/en/forum is an excellent forum where beginners and more advanced users cans ask questions and find information on all aspects of MuseScore and music engraving.

Music Notation

Behind Bars: The Definitive Guide To Music Notation1 by Elaine Gould is a (definite?) reference book on all aspects of music notation. On 704 pages it covers:

“everything from basic rules, conventions and themes to complex instrumental techniques, empowering the reader to prepare music with total clarity and precision. With the advent of computer technology, it has never been more important for musicians to have ready access to principles of best practice in this dynamic field, and this book will support the endeavours of software users and devotees of hand-copying alike. The author’s understanding of, and passion for, her subject has resulted in a book that is not only practical but also compellingly readable. This seminal and all-encompassing guide encourages new standards of excellence and accuracy and, at a weighty 704 pages, it is supported by 1,500 music examples of published scores from Bach to Xenakis. This is a hardback book, with dust jacket.”

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scoringnotes.com

scoringnotes.com is specialized in music notation software and related products and technology. A podcast and regular news give an complete overview of notation software such as MuseScore, Dorico, Sibelius, Finale, etc. and …

Engraving Software Wars

… on the-who-is-the-winner question please also refer to scoringnotes.com


  1. Gould, Elaine. Behind bars: the definitive guide to music notation. Faber Music Ltd, 2016. ↩︎

Musescore Keyboard Shortcuts

Note Input mode

musescore.org/en/handbook/note-input

ShortcutFunction
Nnote input mode (escape)
cmd + left/rightprev/next measure
left/rightprev/next note
alt + down/upnote below/above
cmd +shift + irepitch mode
 shift + alt + ↑ ↓move a note diatonically
shift + noteenter chord tones
alt + 1-7enter interval for next chord note
cmd + shift + note nameinsert notes
hold shift before clickingselect whole chord
↑ ↓increase/decrease the pitch
Jenharmonic equivalent
Rrepeat the last entered note
Qhalve the duration of the last entered note
Wdouble the duration of the last entered note
shift + Qdecrease duration by a dot
backspaceundo last entered note
shift + ← →Exchange last entered note
Xflip direction of note stem
shift + XMove note head to opposite side of stem